Bootstrap 4 引导响应表td内容剪辑

Bootstrap 4 引导响应表td内容剪辑,bootstrap-4,responsive,bootstrap-table,clipping,Bootstrap 4,Responsive,Bootstrap Table,Clipping,我正在尝试使用bootstrap4显示一个2列表。但是,文本被剪切(剪切和隐藏),迫使用户向右滚动 有关剪切(失败)发生时间的详细信息: 1.移动:视口100行,但我不知道它失败的确切时间。 3.“大”文本内容。即,其中一列的字符数大于500个 如果这些条件不存在,单词包装就非常有效。这张桌子大小调整得很好 我搜索了解决方案,尝试了各种引导类和样式(如w-100和包装我的表标签),但没有任何帮助 这是我的代码(对不起,我真正的代码有更多的内容行,但是堆栈溢出限制了我可以发布的数量) 试验

我正在尝试使用bootstrap4显示一个2列表。但是,文本被剪切(剪切和隐藏),迫使用户向右滚动

有关剪切(失败)发生时间的详细信息: 1.移动:视口<767px 2.“大”表:即多行。假设>100行,但我不知道它失败的确切时间。 3.“大”文本内容。即,其中一列的字符数大于500个

如果这些条件不存在,单词包装就非常有效。这张桌子大小调整得很好

我搜索了解决方案,尝试了各种引导类和样式(如w-100和包装我的表标签),但没有任何帮助

这是我的代码(对不起,我真正的代码有更多的内容行,但是堆栈溢出限制了我可以发布的数量)

试验


学期
定义
派尔艺术学院
这是一所四年制的学校,位于康涅狄格州哈姆登市纽黑文附近,由爱德华和阿黛勒·派尔于1946年创办,名为派尔应用艺术学校。1982年,该学院获得特许和认证,提供四年制美术、平面设计、插图、室内设计和摄影学士学位。以前的学生包括大卫和道格·布雷加、肯尼斯·索斯沃思·戴维斯和路易斯·瓜纳西亚。资料来源:维基百科,http://en.wikipedia.org/wiki/Paier_College_of_Art; 阿斯卡特传记
派尔应用艺术学院
见派尔艺术学院
Puteaux群
它以法国巴黎西部郊区普托的名字命名,由大约20名法国艺术家组成,除了美国人亚历山大·考尔德(Alexander Calder);来自捷克的Frantisek Kupka;还有来自波兰的路易斯·马库锡。该组织的目的是扩大立体派的定义,使其比立体派创始人巴勃罗·毕加索和乔治·布拉克的方法更具包容性。1911年,Puteaux集团在独立沙龙(Salon des Indépendants)举办的展览引发了许多争议,引起了公众的关注。他们的大部分作品被描述为“野兽”或“野兽”,因为它的颜色非常华丽,构图也远远超出实验性。成员包括艾伯特·格莱兹、费尔南多·莱格、弗朗西斯·皮卡比亚、罗伯特·德洛奈、马塞尔·杜尚和雅克·维隆。资料来源:http://en.wikipedia.org/wiki/Puteaux_Group 
普蒂,普托
描述“长着翅膀的胖乎乎的裸体小男孩,他们经常出现在文艺复兴、矫揉造作、巴洛克和洛可可艺术中”,象征着爱和感情。这种类型的单个图形称为“putto”。资料来源:arthistory.about.com
金字塔俱乐部
该组织位于费城吉拉德大道1517号,成立于1937年,是一个享有盛誉的组织“费城非裔美国人的文化、公民和社会进步。在画家亨伯特·霍华德(Humbert Howard)的指导下,俱乐部赞助了一系列文化活动,例如从1941年开始的年度艺术展览以及亨利·奥萨瓦·坦纳(Henry Ossawa Tanner)对个别艺术家的重点介绍。其他有特色的艺术家还有博福特·德莱尼、多克斯·思拉什。资料来源:《Beauford Delaney:从纽约到巴黎》,《美国艺术评论》,2005年12月。
烙画
燃烧木头的艺术,或从希腊语翻译过来的“用火绘画”,在维多利亚时代,由于使用了火红的扑克牌,所以被称为扑克牌。在现代,有一种被称为烙画机或Woodburner的机器,它可以烧制木材和压印。这一术语也被扩展为指在诸如杯子和玻璃器皿等物体上的精确设计印记。资料来源:http://pyro-graphics.com/; www.pyromugs.com
烙印术
用加热工具在表面上创造图案的艺术,通常与皮革或木材上的热扑克一起使用。哈利·利昂·摩西,20世纪初新奥尔良的艺术家,和19世纪的罗伯特·鲍尔·休斯一样是一位烟火学家。资料来源:www.thefreedictionary.com/pyrographer;AskART数据库


您忘了在这里添加class
谢谢,但这没有帮助。我会更新我的帖子。看这里:Hamzeh-非常感谢!!你的链接对我有用。基本上:使用表格布局:固定在表格中,单词换行:在td中打断单词。
<div class="col-12 table-responsive">  
                <table class="table table-sm table-hover table-striped text-wrap" >
                    <thead class="table-dark">
                        <tr>
                            <th>Term</th>
                            <th>Definition</th>
                        </tr>
                    </thead>
                    <tbody >


                        <tr>
                            <td style="font-size:15px;font-weight:600;">Paier College of Art</td>
                            <td style="font-size:14px;">A four-year school in Hamden Connecticut near New Haven, it was founded in 1946 by Edward and Adele Paier with the name Paier School of Applied Arts. In 1982, it received a charter and accreditation to offer a four-year Bachelor of Arts degree in fine arts, graphic design, illustration, interior design and photography. Among former students are David and Doug Brega, Kenneth Southworth Davies and Louis Guarnaccia.  Sources: Wikipedia, http://en.wikipedia.org/wiki/Paier_College_of_Art; AskART biographies</td>
                        </tr>

                        <tr>
                            <td style="font-size:15px;font-weight:600;">Paier School of Applied Arts</td>
                            <td style="font-size:14px;">See Paier College of Art</td>
                        </tr>



                        <tr>
                            <td style="font-size:15px;font-weight:600;">Puteaux Group</td>
                            <td style="font-size:14px;">Named for Puteaux, a suburb of western Paris, France, it was a group of about 20 French artists, excepting Alexander Calder, an American; Frantisek Kupka, from Czechoslavia; and Louis Marcoussis from Poland.  The Group's purpose was to expand the definition of Cubism to be more embracing than the methods of Cubist founders Pablo Picasso and George Braque. In 1911, the Puteaux Group stirred much controversy and brought public attention to themselves with their exhibition at the Salon des Indépendants. Much of their work was described as being by "fauves" or 'wild beasts' in that it was very garish in color and far-out experimental in composition. Members included Albert Gleizes, Fernand Léger, Francis Picabia, Robert Delaunay, Marcel Duchamp, and Jacques Villon.  Source: http://en.wikipedia.org/wiki/Puteaux_Group </td>
                        </tr>

                        <tr>
                            <td style="font-size:15px;font-weight:600;">Putti, Putto</td>
                            <td style="font-size:14px;">Describing "plump little naked boys with wings, they are often seen in Renaissance, Mannerist, Baroque and Rococo Art" to symbolize love and affection.  A single figure of this type is called a 'putto'.  Source: arthistory.about.com</td>
                        </tr>

                        <tr>
                            <td style="font-size:15px;font-weight:600;">Pyramid Club</td>
                            <td style="font-size:14px;">Located at 1517 Girard Avenue in Philadelphia and founded in 1937, this was a prestigious organization for the "cultural, civic and social advancement of African Americans in Philadelphia. Under the direction of painter Humbert Howard, the Club sponsored a variety of cultural events such as annual art exhibitions and the highlighting of individual artists beginning in 1941 with Henry Ossawa Tanner. Other featured artists were Beauford Delaney, Dox Thrash.  Source: 'Beauford Delaney: From New York to Paris', "American Art Review", December 2005.</td>
                        </tr>

                        <tr>
                            <td style="font-size:15px;font-weight:600;">Pyrographics, Pyrograph</td>
                            <td style="font-size:14px;">The art of woodburning or in translationg from the Greek, 'drawing with fire' it was known in the Victorian era as Pokerwork because a red hot poker was used.  In the modern era, there is a machine called the Pyrograph or Woodburner, which does woodburning and imprinting.  The term is also expanded to refer to precise design imprinting on objects such as mugs and glassware. Sources: http://pyro-graphics.com/; www.pyromugs.com</td>
                        </tr>

                        <tr>
                            <td style="font-size:15px;font-weight:600;">Pyrography</td>
                            <td style="font-size:14px;">Art of creating designs on a surface with heated tools, it is usually applied with a hot poker on leather or wood. Harry Leon Moses, early 20th century artist in New Orleans, was a pyrographer as was Robert Ball Hughes in the 19th Century. Sources: www.thefreedictionary.com/pyrographer; AskART database </td>
                        </tr>


                    </tbody>
                </table>
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